What's up? It's empty. She's empty. Mackenzie's empty, unfortunately. So yeah, how about it? How about it? Mwah, mwah. Mackenzie, Rachel, meet the twins. But they're in fact totally polar opposite. The shotguns are the same, but who they're based on are total polar opposite souls. The way I see it, Mackenzie's going to be the one doing most of the damage. Mackenzie's the 18.5 inch barrel one, which is this one. It's just a little bit shorter than Rachel, which is a 20 inch barrel. Other than that, they're virtually the same gun. The magazine tube is a little shorter, but you can still fit a shit-time ammunition in there. The first time I took it up shooting, I can only fit two in there. It's a shorter magazine and then the tape stopped recording, so you didn't get to hear what else I was going to say. What happens is when you buy these pretty much anywhere, there's a freaking rod in here that prevents you from putting in ammunition, so you can only fit two in there. When you take it out, it can fit four or five. I completely forgot to remove that when I went out with this for the first time. Unfortunately, I was only able to put two or three in at a time. Boom. Reload. That's really lame. I eventually unscrewed this, took the barrel off, took out the rod and everything. Mackenzie is by far my favorite one. I loved Rachel too, but this one I loved just because it's shorter. It's a little bit more powerful. It kicks a little bit harder too. This is the gun I feel that is going to be the one doing most of the work and also finishing me off. Rachel, it's kind of funny. I envisioned that being just the one and only gun because that was before I even knew I was going to do this. I need to have a second one as a backup because when you do something like this, here's a little tip from me. Have a backup shotgun or a secondary weapon. It doesn't matter what. As long as it can fucking kill somebody, have a backup. There will be no worse thing in the world than having something break on you with a gun and you have no way to off yourself. Let's just say for some fucking reason I shoot and my barrel implodes or I pump it and it gets jammed for some reason. I can't pop the shell out of the side. Let's say this breaks off, like the pump breaks off or something or something and the trigger breaks. You never know. Anything can happen at any given moment. So my advice is have a backup. Need I say more? So yeah, I love both of them though. They're both spectacular shotguns. They're both the same exact shotgun. Just one shorter. But either way, I love Mackenzie. I had to switch the names unfortunately because I named that one Mackenzie when I first got it. But that was before I realized I was going to get another one and then it made sense because Rachel would have a bigger gun. Rachel is like a big macho devilish evil soul and she'd have the big gun and it just suits her better. Now Rachel will most likely just be on my back the entire time. Its main purpose is just in case something goes wrong with Mackenzie's gun or I need it for a longer range. Like say I want to shoot a slug at the floor guy's propane tank or something. This would be a better option because the barrel's longer. But mainly it's just a backup because when I got this one I just named it Mackenzie because I'm like well this is the only gun I'm ever going to have in my life so I'll call it Mackenzie. And then when I decided to do what I'm going to fucking do, it's like alright I'm going to change the name. So yeah, it just looks like a Rachel. I don't know. That one's Mackenzie. But yeah, obviously they're named after Mackenzie West and Rachel Shadows. So on the side I have engraved EGS on both of them and then I have Rachel and I have Mackenzie scratched into the side. So these names are never going to be viewed the same way again after this happens. I can assure you that. Now here's one thing I want to talk about. See this? In here is propane. In our supermarket we have canisters like this. This is exactly where I got it from. This is the exact thing I'm talking about. We have about like I'd say 15 or 20 on a shelf. One of my new plans is to scoop these into a shopping cart and then shoot at it with a gas canister next to it filled with gas. Picture it as like a little mini propane bomb just to do some damage. I'm not going to hit anybody with it but just to do some fucking damage to the building. That's the main purpose of that. I got to test shoot at first and see what it does. Mainly because it feels like it's only filled up to here. So shooting this with like a slug or something, I just want to see how big of an explosion it is just to see what it does. And then we'll see. Now in terms of how this is going to go down, let me tell you. Got some new things and some of them are actually really, really clever. Here's the plan. Wednesday, June 7th, 2017. One o'clock we go off for a break. That's how it always goes every night. It's always one o'clock or like 103, 105 Ballpark area. So here's what's going to happen. Brian's going to come up to me and say, break. He goes. He goes outside. That's how it always goes. I follow him not long after, usually a minute or two because I always grab snacks to buy to gnaw on and stuff. You know, here's what's going to happen. When he goes out, I'm going to block the emergency exits. I'm going to get pallets. I'm going to put them in front of the doors. In the back room, there are at least four or five emergency exits. There's one all the way at the other end of the facility in the back room by the back manager's office. That one, I'm actually going to block when he goes to lock the store up at 11 o'clock. So that one will just be taken care of instantly. He's not going to go down there looking for other stuff because I'll have all the stuff we're going to need for the stock and shit already down here. So there will be no reason he'll ever need to go down that side of the facility. So that will be taken care of. About, I'd say, 60 feet beyond that, there's an emergency exit here and about 20 feet down, there's another one here. This one over here is the easiest to block besides the one all the way down. You just put a pallet there and it's completely blocked. You're not going to get out. Same thing goes pretty much for the one next to it. They're just single layered doors. They're not double doors. It's just one door. And then you got the receiving door. So you got all these doors, boom, boom, boom, boom, to block with pallets. And it's totally doable. You know, it takes two and a half minutes, if that. So those are the big three on this half. Once you get towards like the center of the store in the back room, there's the produce section, which is the last set of double doors. And that's the last set of doors to get outside from the back room. So that's one that's kind of up for debate. I don't know if I'm going to be able to block those or not. If not, no big deal. Because besides that, straight down the hallway is the meat department and it's a dead end. You can't go anywhere else. So the last set of double doors were the ones I was picturing from the beginning, which is next to the bakery section. There's a pair of double doors that's an emergency exit and all these exits, they're all alarmed exits, okay? So I'm thinking like, how in the fuck can I block this exit? There's like no way in hell. There's nothing I can do. You can't put a pallet there. By the time it comes back in, I'll be like, what the hell is a pallet doing here? Because he has to come back in before... Alright, see, what did I tell you? The camera stopped. Big surprise. As I was saying, Brian is going to be coming in before me. He'll be going back inside first. So I can't put pallets in front of these doors because he'll be like, why the hell are there pallets out here in front of these doors? That makes no sense. So that option was just completely out of the question. I couldn't do that. So I'm thinking, how the fuck am I going to block these doors? I'm not going to be able to. I'm just going to have to pop the two of them and then just hope to God as I can get over to him before he runs out that exit. And I'm out on my break the other night. Not last night, but the night before. I'm just sitting in my car and I just happen to look over at the doors and then I just got this idea that just hit me like a fucking train. I could put my car up into those doors. It's on the sidewalk and there's pillars next to it. But you have enough space to fit your car up there. You could fit it like this or you can T bone the doors. And I was like, holy shit. That is the greatest idea I've ever had. And the way I see it is driving up and T boning it would be the best option because like no matter what, as long as you have like this much space between your car and the doors, you won't be able to open those doors and get out. So we'll see. It should be wide enough. If not, I could still fit it like this, but obviously like the mirror like protrudes out and I'd be afraid like I wouldn't be able to fit it properly. But I just want to be careful because I feel like if I hit the doors with just that little bit of force, you can trip the alarm because these are all alarm exits. So that that was crucial. That idea just changed everything. So here's what's going to happen. Brian will go back inside. I'll go back inside as I normally would and then just see where everybody's at. I know he'll be down and I was one through seven anywhere in that area. Victoria and Kristen, it's completely like it's a wild card guess of where they're going to be. And what I've come to realize is when we go out on break and come back in, they're on break too. So somewhere in the area of one o'clock through like one 15, they take a break. This was the crushing bullet of it all because I envisioned just coming back in and then just going off and killing everybody. But can't do that because they'll be in the back room somewhere. And obviously I want this to be on the surveillance camera so you can see it. And what's going to have to happen is I'll just go back to where I was working and give it like 10 minutes or so. Go back down that end, see where they're at. Go back outside, gear up, drive the car up to the doors. You know, I'm already geared up and everything. Walt's in, lock the door, set the alarm, and then lock the big pair of double doors in the vestibule that leads you into the store. So the way it's set up is like any old supermarket is, you got the entrance, which has the two doors, one comes in, one goes out on both sides. But obviously to get into the building, there's this big, wide pair of double doors. They open and close automatically and whatever, but you can turn those off and you can lock it up. So I'll do that, I'll lock it, that's just going to have to do it. There's nothing else I can do with that. Doors are so wide, you know, you can't block them. And then just find Victorian Kristen Powell. And the rest is up to fate. Because the way I see it is, if Brian was going to run out of here, he's either going to take two paths. He can either go the path to the produce exit or you can take the path by the bakery, which is the bakery exit is technically the closest. Depending where he is, usually by break or a little bit after, he's still an aisle one because aisle one is the vegetables and the microwave meals and all that, you know, mac and cheese. And you get a shitload of order for that aisle and he's had to do it by himself. And that can take him till sometimes like almost two o'clock. So he may very well still be in there. The only problem is it's up for debate whether or not he'll be going back and forth, taking his empty boxes to the back room and cleaning up. So it's really just destiny. You can't predict everything. But if you wanted to, the safest option by far would be to go through the meat department doors and go out through the back. Because he'll know I'm out on the floor. So obviously you don't want to go that way. And obviously going out through the bakery, you're out in the open and you're exposed. So the way I see it is the smartest thing would be for him to go through the meat department down the back hall and then out the protestors. But that goes back to me saying I wanted to block that because if I don't, then that's he's out, you know, just like that. So I need to figure out a way how to block those. I mean, there's pallets all over the back room. It wouldn't be hard to do. It's just a matter of doing all this without anybody seeing it. That is the hardest part. Because the break room is right adjacent to where those doors are. Doors are here. You just go down the hallway and it's a little bit around the corner of the break rooms right there. So it's a lot to do in a matter of just a few minutes. So I mean, nobody's ever going to think twice like, oh look, there's pallets in front of the door. Nobody would ever question it unless it was Brian. So that's just what I'm saying. You just got to get lucky. So what happens is 11 o'clock is when we close the store up and that's obviously when I'm going to block the one exit all the way at the far end of the facility. But it almost doesn't even matter. But that's just assuming that, you know, nobody's going to get away. But that's the first place they're going to have to run. You know, if I'm down the aisle coming at you this way with a shotgun, you're going to go out the back room. You're not going to go out the front. You're going to go towards the back. And instinct would be like, yeah, there's all these emergency exits I can get right out. Well, you're not going to be able to because I'm going to have them fucking blocked. So you're done. And yeah, so those exits, that's the most crucial thing because that's how I wanted to do it. I wanted to control and contain this operation. No one can get out. That also means no one can get in. Now, this was the biggest question I had. It's like, well, the cops would have to shoot their way to get in. So how can I prevent them from getting in? And that was to block all the other exits. So either way, I would know if someone got in because the alarm would be ticking down. You got two minutes before that alarm stops ticking down and the store is armed. I can't remember if there's a way like to just instantly lock the area. It's called the perimeter of the store. It sets an alarm for all of the emergency exits around the building. And those are the only exits in the whole facility that I just mentioned. The upfront and the bakery produce the two by the receiving area, the receiving doors themselves, and the one at the very back end of the facility in the back room. Other than that, there are no other emergency exits. You cannot get out anywhere else. So it is a shit ton to pull off in a matter of minutes. It's really, it's going to be tight, but I think I can do it. It's all going to come down to what's in the back room that night. Sometimes you have pallets that are like this high and sometimes they're only like, you know, up to my chin. So you don't want it so like people can just like climb over the pallets or just take a few boxes off and get on top of it and open the door. You know, you got to make sure this is full proof, but at the at the least slow them down. So by the time you get there, they're still trapped and it's a freebie. So it's virtually two are a gimme. You know, Victoria and Kristen, I can't see me missing both of them. It just depends how far apart they are. Like it's really just fate. Like I said, no matter what, I'll get one right off the bat. You're not going to miss point blank like that. Even if they're like halfway down the aisle, you can still like poke your head out and just see where they're at. No matter what, they're not going to see you coming. It's full proof. You're separated by all these aisles. And this is how the store is set up. It is literally just right across the facility. Isle one, aisle two, three, four, five, six, seven. Then you have the whole produce and deli area, which is like, you know, like 50 feet wide. And then you have eight all the way through 19. It's all in a big line. Nothing is like branched out or over here and back here in the middle here. Like it's all just one straight line of aisles and it's full proof. You can't fail at this, which is why it's so ingenious. It is the perfect scenario to off people. And if you have the exits blocked, you have them right where you want them. There's nowhere for them to go. So I can't wait. It is going to be awesome. And yeah, my, my, uh, there's going to be all kinds of thoughts racing through my head in those final few minutes, just like, I'm sorry. Like there's going to be so much adrenaline flowing through me. I'm going to feel like more powerful than I ever have in my life. And there's not going to be anyone that's going to be able to stop me, which is beautiful. So it's just up to fate because once I just assuming I get Kristen and Victoria, both in the same aisle, at least incapacitate them or kill both of them, then the floor guy and Brian are going to be on the other half of the facility. That's where the floor guy is always buffering during that time. It's usually always down that half, but it's totally unpredictable because he's just going down the aisle, down the long stretch by the meat case, down this aisle, and he just goes like wherever. But you know, that's going to be the hard part because they're going to be running like crazy, you know? So you're just going to have to go for one of them as soon as I see one, go after them. And that's why just blocking the exits is the most important thing. If they get to the front entrance before I do, yeah, they're going to be like, oh, fuck it won't open. But all it takes is just a quick turn to the lock and then you just, and you're out and then you just unlock the one door there. But either way, it's going to take you like 15 extra seconds to get out and they're going to be panicked as fuck. So yeah, that's closing the double doors there and locking it. That is huge. There's just nothing else I can do about that, but that's what I see is going to happen. One of them, at least one, is going to get out. There's like, there's no way unless I just went pop, pop, boom, move, pop, pop, and then just booked it and just started running down towards the other half and boom. You know, just started taking them out like that. I want it to be slow, you know, I want it to be a slow process, but if I book it, I can get everybody. That's the thing. If you get shot with a shotgun point blank, you're, you should not be able to just get up and run away. You're going to be in there like just an agony on the freaking floor for at least a good few minutes and just trying to digest what's happening. So boom, boom, boom. Just go. Book it. So that'd be the best option just to do it as fast as I possibly can. That way they're wounded. That's just the biggest thing. As long as I hit everybody and they're wounded, then I can take my time with finishing them off. Yeah, I could, I got to do it fast still, but it'll still be a few minutes before cops can show up or get in and know what's going on. If there's a shooter, you know, they got to know what they're getting themselves into first. They're not just going to barge in there blindly and just expect to take people out. They don't know how many gunmen there are, even though it's going to be just me. So, you know, that's just, I got to do it as fast as I possibly can. Then I can worry about the fun aspect of hitting other shit. But, um, yeah, that was the other thing. Like right before going out to break is when I would have to load up the propane card. If not with gasoline with it, just throw the propane on there and then stand a considerable distance away and then, pooh, explosion. So yeah, it's a lot to do. And once I get everybody or as many as I can do what damage I can, then it's go down to aisle one. Poof. So, yeah. Just like that. And it's over. And then I'm where I belong. That's what I was talking about before. Like, see, like the magazine tube is so much shorter, you can really fit it in your mouth better as opposed to Rachel's, which the magazine tube is as long as the barrel is, though, it's like, you know, it's a bitch to fit in your mouth. See that? Try fitting that in your mouth. You can. I've done it. But you really got to open your fucking mouth. It was how frickin long it is. And that's why I was so glad I decided to get a second shotgun. I wasn't going to just because I worried about buying like the same gun again or like trying to hide it away from my parents or just overall buying another shotgun in general. Buying guns, it always makes me like, it makes me uneasy like going through the background checks and everything and trying to act normal when I'm there getting the gun and everything and trying not to stand around and like look like I'm like conspiring to do something bad, you know? It's hard. But I did it. So, this is it. I'm not going to get another gun. It's these two shotguns. And that's that because I wouldn't have any other way of like carrying another one. Which I could have one shotgun around my back and then put one on like a sling or something and then hold another gun. But then that's like fucking insane. It's too much. That's just the biggest problem. It's like, these are short range weapons. They're not long range. Like I wanted to get an automatic one, just an automatic rifle of some sort. Just to shoot across the building. But I can't. I just, that's too many, it's too many guns. You know, it's just, it's too much for me to do by myself. You know, if I had another person then problem solved, but it's just me. So yeah, that's the plan. You know, I've planned this out for months. Just like envisioning it, fantasizing about it, and now it's actually happening. It's real. And every now and then I gotta just stop and look around and just analyze what's around me and like think like, maybe this can work. Or I shouldn't do that because this is here or this won't work because of that, you know? And just gotta keep my eyes on where everybody is. It's just the other thing about it is nobody would suspect, the thing about it is nobody would suspect a thing. It's how it's, it's so ingenious. Nobody would remotely suspect me to do this. And it's foolproof. There is nothing that can stop me. Nothing. And you'll all be fucking dead. Or a good bit of you anyway. At least half of you, I would assume half. And I had me on top of that. So, it's May 11th. Counting down the days. And can't come fast enough. It really can't. And every day I just, I get more and more confident. I get more and more like inspired. I get more and more into it. And at first it was like, kind of like, oh man, I really don't know if I should do this or oh, something's gonna go wrong. Or maybe I'll just go for one and then I'll be it. Or, you know, it kept building and building and building. And you know, obviously it led to, alright, I got a second shotgun. You know, like it just kept building. And I'm still getting new ideas. I'm very creative. You know that. And being I've been in that building for almost seven years. It'll be seven years in June. You know the inside and out of that place. So, night shift was the cherry on top of the cake. Pretty much. The icing on the cake, whatever you want to call it. Because then I got keys, then I got codes to things and just started learning how the place worked. You know? So, it's insane. It's crazy. And if I really wanted to, I could just go in right now and do it if I wanted. You know, it's like, it's so crazy to think that I have all the tools. It's all right there. It's got to wait a little bit longer. So, my biggest goal is to do as much damage as I can. But the fact of the matter is you don't have a lot of time. And I mean, I could totally just keep going. And just keep moving fast. But you got to still watch what you're doing. And there's no telling like what state of mind I'm going to be in when all that's going down. Like, it's probably going to seem like an eternity in a way. But my goal is to just do it as fast as possible. There's things I have planned out that I want to shoot, like the freezer doors and everything. Spaghetti section, pickles, anything that's glass and messy. You know? But the only other thing is being careful not to get anything in the barrel of the gun. Which is also why I have a backup. You know, you never know what's going to happen. So, I'll shoot the ceiling once or twice. You know, the propane. That was one of the newest ideas I had. Because that would be huge. And you got like 20 of those. That's an explosion. That'll be perfect. And the other question is, well, where am I going to put it? Like, I'm trying to think of like, what's like flammable in a supermarket besides the propane? You know? I don't really know. I'm trying to get like the biggest explosion that I can without injuring myself in the process. I need to start snooping around and just see like, what I can put it next to. I can kind of care less if it's on the surveillance or not. But you know, in all these departments in the bakery and deli or the seafood or whatever, there's got to be something there that's like flammable. There has to be. I need to start snooping around there and see what I can find. Because other than that, it's like, what else can like blow up? You know? So... It's a lot. It's a lot to do. It's a lot to do in a span of about 45 minutes. Because on top of all this, I got to send out all the emails and then the digital death set. You know, like everything. I got to tweet all that out, Facebook that out, Instagram it out, send out all the emails, which will be pre-composed in my drafts. But still, send it through Facebook messages even. It's a lot to do. I can do those on my break. That's the big thing. But before that, yeah, I need to block the exits too. So this is tight. This is really tight. This is a really tight situation to pull off. Got to block five exits. Prod is receiving. Two next to receiving. Back manager's office. Go out to the car. Tweet the death box set. And say that this is it. And then send out all the emails. I got to somehow do all this within like 20 minutes. And it's totally doable. It's just, it's tight. It's a very tight window. And it's going to go by like that. Break goes fast. It really does. You don't realize like how fast 15 minutes goes. It goes so fucking fast. So, it's a lot. The only good thing is, Terry the floor guy, when it's one o'clock, he's still out on the floor running the suds machine, whatever you want to call it, that sanitizes the floor. So it's not until around at the earliest quarter after one that he goes back and then gets the buffer out. So it's totally doable. But yet it's still incredibly tight. Like he won't even question what I'm doing anyways because he never does. He just, he keeps doing his thing, bullshit with me a lot, but he won't even like think that I'm blocking the exits. So the way it is, like when we get an order, we get pallet after pallet after pallet after pallet of stuff that doesn't go out. Like if we have cereal, paper, soap, pet, pet's the big one, that stuff stays in the back room until we get to that aisle and then we drag it out onto the floor and then cut off the plastic and then down stack it. So there's still pallets back there. There's gonna be pallets back there even just from the general back stock in general. So there's stuff to block that stuff with all the time. I just need to really analyze what's around me. Like even if it's just like a pallet of 24 pack of water that's up to here, you can't climb on top of that and like really like you're not gonna have time to squeeze through that, you know? That's just the biggest thing, slowing everybody down. If it can't completely block the door, slow them down. Cause they're still gonna panic and be like, oh fuck, I can't get out. You know, I'm gonna try the next door. And the next door and realize they're totally screwed and boxed in, boxed in. Boxed in, so. Yeah. 30 some days. That's it. That's it. That is it. That's it. Unreal. Unfucking real. After this happens, no one will ever hear the name Rachel or Mackenzie the same way again. I'm gonna show you that. Or Andrew. Or Mackenzie. The biggest question is, where's it gonna go? What's gonna happen in the future after this? To prevent this from happening again, you know? The answer is, you can't prevent it. You can only endure it. Alright. I won't say this too many more times, but I'll see you in the next one. Andrew out.